YouTube Streaming from the TriCaster in 32 Easy Steps

YouTube Streaming From the TriCaster (as of Dec 1, 2015)

Update your TC to the latest build.

Use Internet Explorer from the Windows desktop, some of the steps won't work from the integrated TC browser.

Check that your YouTube account is in good standing:

1. Go to http://YouTube.com
2. Click the icon in the upper right (It will be your YouTube avatar)
3. Click the 'Gear' icon
4. Click 'View Additional Features'
5. Check account status and that 'Live Streaming' is enabled

Set up streaming:

1. Select 'Live Streaming' from the menu on the left to go to the YouTube channel page
2. Click on 'Events' to go to the live event page
3. Click 'New Live Event'
4. Name Event, load image etc.
5. Click 'Create Event'
   
6. Select a bit rate, TriCaster standard edition can do up to 720p
7. Select Flash Media Encoder
8. Download XML 'Profile (primary)'
   

Edit Streaming Profile (For TC455 and TC855 and earlier machines)

1. On the TriCaster go to c:\TriCaster\Configuration\Streaming Profiles\NTSC\HD\
   
2. Note that the above path may be different on some TriCasters
3. Open the Profile you intend to use with notepad (TC40 users will need to move this file to another computer for editing)
   
4. On line 38 change the keyframe frequency from 3 seconds to 2 seconds (again may be different line in older TCs)
   
5. 'Save As' the file with a name such as YouTube 720 2048k
   

Start TriCaster (complete the rest of the steps from the integrated browser in TriCaster)

1. Go to the Streaming Config (gear icon on Stream button)
2. Type http://youtube.com in the URL field and press return
3. This will take you to the main YouTube page, click the icon in the upper right (your avatar)
4. Select 'Live Streaming' from the menu on the left to go to the YouTube channel page
5. Click on 'Events' to go to your live event page
6. On the TC stream panel pull down select 'Create Connection From Current URL'
7. Name the connection YouTube Live or what ever you like
8. Select a resolution and data rate that fits within the data rate you selected in the settings section
9. Click Import settings and select the XML file we saved previously (it should be in 'Downloads')
10. Put your YouTube username and password in the proper fields
11. Click the Stream button on the main TC user interface

Preview your stream

1. Go back to the streaming config panel
2. On the YouTube page click the 'Live Control Room' tab
3. Here you can preview your stream and actually make it public etc.

TriCaster 410 Hands ON

A previous post pointed out the main differences between the new TC410 and the TC460 but let's take a more in depth look at the entry level 'Pro' TriCaster. A new update was released today which adds a few new features including ISOCorder.

The 410 is a four input 15 channel switcher with two DSKs. Video I/O is via SDI only there are no analog inputs. It will work with standard def cameras as long as they have SDI. The TC410 has two independent SDI outputs and an HDMI output.

Audio input is via one pair of balanced XLR mic/line inputs, one pair balanced 1/4" phone inputs and of course embedded audio on the four SDI inputs. Audio is output via 1 pair balanced XLRs and a pair of balanced 1/4" jacks for the aux plus a standard 1/4" headphone jack. Audio is also embedded in the SDI outputs.

The back panel also contains the outputs for the user interface (DVI) and multiview (HDMI) along with four USB ports, Ethernet, eSATA and OS/2 ports. The 15 pin tally port common to all Pro TriCasters is also found here.

The TriCaster 410 shares the user interface most of the features of the other more expensive Pro TriCasters including the new gen LiveSets and the new M/E configuration that replaced the Virtual Inputs. The M/Es allow you to output an M/E directly to the Aux output so you can actually perform two independent switches simultaneously. Record a full production while feeding fully produced (transitions, overlays and special effects) content to a large screen display etc.

In contrast to the TriCaster 40 you also get 15 still buffers, two DDRs for video playback the full macro and snapshot system.

The TriCaster 410 In Action

OK so how does it all work? Pretty well I'd say. If you currently are a TriCaster user the first thing you notice is everything looks different and the workflow is new. This takes a little getting used to but once you do you'll never want to go back.

The most striking difference is that the Virtual Input tabs are gone and replaced with a new M/E section above the main switcher controls. This section of the UI can be hidden if you aren't using it to help de-clutter the screen.

The M/E can work in two modes. The mix mode acts just like another video  switcher with two sources and a T-bar along with a keyer. This whole mix can be output via the aux out or even recorded to the hard drive. The Effects mode let's you set up green screen overlays, picture in picture effects and LiveSet effects. Another cool feature is that you can assign a M/E preview to one of the thumbnail preview slots in the upper left of the UI. This let's you actually see the talent in the virtual set on the preview.

The M/Es also have presets so you can expand the functionality by instantly switching from one configuration to another. In fact almost everything in the interface has user definable presets so you can manage even the most complicated show.

The main switcher and the two DSKs function pretty much like they always have with the exception that the utility/FX row has been consigned to the dustbin of history. That functionality is now all contained in the M/E.

Full Complement of Media Players

The lower part of the UI contains the displays of the various media players. The TC410 has two DDRs, two graphics players and a sound player. There is also a tab with the 15 still buffers. For those of you not familiar with the TriCaster the DDRs are simply modules that can play video clips or lists of clips. These come into the switcher on the inputs labeled DDR1 and DDR2 and can be set to play automatically when the source is selected on the program bus or an active (visible) M/E. The graphics and sound players work in a similar fashion.

Still Buffers

The still buffers are an expanded version of the buffers on the 455/855 machines. You assign a particular image to a buffer and then you can use that as a source in a DSK without using one of the graphics players. In fact buffer 1 can be used as a source directly in the main switcher and/or in an M/E. The buffer image files can actually be updated over a network connection while they're live for instant updates.

Social Media

The current Big Idea in broadcasting is the "Second Screen". The concept is to have content related to your production updated in real time on the web as it happens. Youtube, Twitter, Facebook and other sites can be used to provide interactions with your viewers and for promotional  efforts. Now with the TC410 and the other Pro TriCasters you can instantly initiate uploads of  video clips and still images to the various social media sites or your own FTP site. So you can, for example,  load a clip into a DDR, trim it using the tools in the DDR and with one click upload it directly to Youtube.

Complexity Reduction

The new TriCaster does so many things that it's pretty easy for the operator to get overwhelmed. Running two independent switcher, uploading to Facebook, managing a bunch of overlays and all the other functions that need to be done might be too much for the non-Super TDs out there so NewTek has taken steps to help us out.

Multiple operators can be involved. The TD (Technical Director) can be running the switch(es) using the CS controller while CG (character generation) is handled by an operator on a networked PC running LiveText (available separately). The social media end can then be done using the mouse and keyboard on the TriCaster. But dividing up the major jobs still may not be enough so the TC410 has a pretty extensive macro capability built in.

Macros are simply a sequence of actions that can be executed with a button push. Any series of switcher actions could be recorded as a macro and then assigned to any button on the CS controller or computer keyboard and then executed whenever the TD needs. An macro editor is also included to you can clean up, modify or even create from scratch any macro. You can also create 'snapshots' of the switcher at any time so a setup can be easily recalled.

This is an extremely powerful feature that can be combined with new MIDI support to use any number of external controllers like the Novation Launchpad to fire macros.
Macros can also be assigned to 'Hot Spots' on screen so that on-air talent can actually trigger macros just by touching a spot in the air. This was a feature originally seen on the TriCaster 8000. So now the TD doesn't have the excuse of only having two hands!

Audio

The TC410 has two mic/line XLRs and two 1/4" audio inputs. The mixer panel has channels for the inputs switchable between those analog connectors or embedded SDI audio. It also has controls for the media players and network inputs. You also get sliders for the main output, streaming output, recording level and the aux output. And all these ins and outs have multi-band EQ and compressors/limiters.


So where exactly does the TC410 fit into NewTek's product line?

Compared to the TC40 you gain:

• SDI inputs (but no analog) - Use pro cameras.
• IsoCorder - Record four streams of video. New Feature!
• 4 balanced audio mic/line audio inputs vs 1 unbalanced stereo and one mic input
• 2 pair balanced audio outs vs. 1 unbalanced
• Flexible and route-able M/Es vs VIs - Do a second switch to a second output and more.
• Macros/Snapshots - One button simplicity.
• Hotspots - Let the talent trigger macros.
• MIDI - Trigger macros from 3rd party controllers.
• Routable Audio - Makes it easier to do quad, SAP or a mix-minus.
• Adjustable audio delay - Compensate for upstream and downstream equipment latency.
• Multi-band EQ and Audio Compressors
• 2nd DDR - Manage your B-roll and commercials.
• Rugged Rackmount Chassis - Stands up to the rigors of the road.
• Bigger/Better Controller - Controls for almost every feature of the TriCaster.
• Social Media Support - Professional quality second screen content.
• Improved UI/Workflow - Get a handle on even the most complicated production
• Integrated PTZ Camera Control - Use the joystick on the CS to control your cameras.
• Improved Network Video Support - Use webcams as an input and send mpeg2 streams to other TriCasters and third party apps.

You lose these features from the TC460:

• Analog Video I/O - In addition to SDI video inputs and outputs the 460 has component, composite and S-Video ports.
• Removable Storage - The 460 has a removable drive bay which makes it easy to swap dives.
• Audio inputs - The 410 has two stereo audio inputs while the 460 has four.
• Genlock Input - The 410 lacks a genlock input. Most users won't care too much about this.
• Anim Buffers - Both machines have still buffers (the 460 has 10 while the 410 has 15) but the 460 also has five animation buffers so you can play looping animations without using a DDR.

The Bottom Line:
All in all if you don't need analog video inputs you should take a close look at the 410. If your budget can support the 460 it is a more flexible machine and is worth the difference in price.

More NAB 2012 News

NewTek also unveiled the new TriCaster 855 and TriCaster 455. These units replace the 850, 850 Extreme and the 450, 450 Extreme respectively. The 855 and 455 are shipping now so there will be no waiting.

The new units have all the Extreme features including the Isocorder technology to record multiple video streams and the advanced audio features (audio grouping, compressor/limiters etc.) plus some new features.

Native Quicktime support is standard. Plus Mac versions of the NewTek SpeedHQ codecs are available now.

The new TransWarp effects engine is also included to you can create 3D warping transitions with sound effects using the included editor. The editor includes a second license so you can run it on a second machine.

A new and improved IVGA is also included. You can now specify regions of the screen to grab and iVGA now supports sound.

A lot of the underlying TriCaster code has also been massaged to make operation more robust.

The best part is that NewTek has given these units a great price. The 855 including the 850CS controller is only $29,995 and the 455 is priced at $19,995 including the 450CS controller. These prices are actually a slight reduction from the old non-Extreme machines so once again NewTek throws down the price/performance challenge.

For users who already own various 450 and 850 models there are upgrades available, give us a call for details.

1-800-692-6442

TriCaster 8000 OMG

Well, I was completely wrong about the 9.4 times better even though I got the model number right (850 X 9.4 = 8000). The new TriCaster 8000 is mind blowingly better than the the 850. I'm still am trying to wrap my head around its capabilities and I'm not even sure where to start So I'll just jump right in.

In no particular order:

8 re-entrant M/E Buses. You can set these up with up to four live sources each including using an M/E as a source in another M/E.

4 Down Stream Keys (use any source including M/Es) plus four channels of overlay on each M/E

24 New Live Sets with virtual camera moves including panning, pedestal and zooming. You can adjust the moves on the fly. Optional LiveSet Editor.

Macros - configure complex switcher actions to a single button push.
 
8 configurable hot spots per input, let the talent run the show by triggering macros using these interactive hot spots.

Social Media Publishing - Integrate your live production into Facebook, Twitter, Youtube, Flickr, and other social media sites in real time.

Record multiple (8) video streams with timecode to the hard drive. Native support for Quicktime.

Animated transitions using the new TransWarp 3D effects engine. Includes a transition editor so you can create custom transitions.

Fully configurable multi-viewer.

Integration with Black Magic Designs Matrix Routers.

Motion tracking effects - I'll try to post a video showing this, it's hard to explain.

iPad audio control app - Turn your iPad into a remote, wireless audio control surface.

Oh, did I mentions it can do all this stuff in 3D? That's right built in support for 3D cameras and anaglyphic stereo imaging.

They were demoing the M/E buses by doing effects with literally millions of layers on screen at once. I was impressed last year by the 850 Extreme showing 5 layers at once so to say this is a bit of an improvement is a major understatement.

The price? You better sit down.

$39,995 including the control surface!

That's right less than the price of a TriCaster 850 gets you a TriCaster 8000. There is nothing on the planet with these capabilities. To even come close would require hundreds of thousands of dollars and probably a whole truck full of equipment. You have got to get one of these things!

Digital Arts will have one of the first units to roll off the assembly line, probably in late May. Units are scheduled to ship in quantity sometime third quarter of this year. Give us a call to schedule a TriCaster 8000 demo, remember we can do these on line. 1-800-692-6442

Some pictures:

Virtual Set Editor 1.5 Is Available

It must just be a flurry of activity at NewTek now a days!

The TriCaster Virtual Set Editor 1.5 update includes additional PSD file support, allowing for better integration of PSD artwork into TriCaster virtual sets and double-box effects.

TriCaster Virtual Set Editor 1.5 includes the following benefits:

• The ability to use 32 or 16-bit PSD files to produce real warped mapping layers, giving  users more design options
• Seamless conversion of PSD Layer Groups into VSE Layer Groups, for better organization
• The option to name individual PSD Input Layers, making it easier to manage files
• The ability to rename individual camera angles, providing added convenience

This update is now available as a free download to registered owners of TriCaster Virtual Set Editor at http://reg.newtek.com.

More Thoughts on the TriCaster 850 Extreme

Browsing around on the web you'd think that the biggest new feature of the 850 Extreme is the Apple AirPlay support. Now don't get me wrong AirPlay is cool but the Extreme can record 8 streams of HD at once! While doing everything else it does.

I think this is a great feature. You can obviously use it to record camera isos for posting later or as backups. But think about it, you can record several different versions of you main switch: HD and SD versions, 1080i and 720p, with and without overlay graphics. This will save hours of time re-rendering productions just to repackage them for different uses.

The next most useful features are the improvements in the audio section of the 850 Extreme. I carried around a mixer just so I could use it to insert compressor/limiters in the signal path. With the 850 Extreme's built in compressor/limiters I can eliminate the mixer, the compressors and a whole bunch of cable failure points. If you are doing music events that require complex mixing you'll probably still want the mixer but for sports and meeting type projects you can reduce the amount of equipment you drag around quite a bit.

The audio grouping in conjunction with the audio follows video will make it easy to manage mic muting during commercial playback and the like. In the original 850 it had the audio follow feature but without the grouping it wasn't really all that useful in most situations.

Color transitions with sound effects are de rigueur for sports production and the 850 Extreme delivers. It looks like it will be easy to import animation sequences and audio clips an compile custom transition.

I also like the new streaming configuration panel. Presets for all the major CDNs will eliminate a lot of the cutting and pasting that was necessary to get the streaming configured. And the built in browser eliminates needing to carry around a lap top just to confirm your stream.

TriCaster 850 Extreme is a cool piece of kit.

NAB 2011 But Wait There's More - UPDATE

SpeedEDIT 2.1 - Free Upgrade

Update:
Features& Fixes

• New keyer using LiveMatte technology
• 24bit audio support
• Improved Filebin performance with large still image sequences
• Improved compatibility with JVC Mov, Sony EX, FinalCut MP2, and Blackmagic clips

DataLink 3.0 - Free Upgrade for DataLink and LiveText 2 owners
Update:
 DataLink 3.0 also adds support for RSS feeds from multiple network data sources, including Twitter feeds, all of which can be independently configured for use in LiveText 2.

"The new DataLink 3.0 streamlines the configuration and management of data sources," said NewTek Chief Technology Officer, Andrew Cross. "The added hardware sources and the support for RSS feeds provide a wide array of creative possibilities. DataLink 3.0 provides yet another advantage for TriCaster users who need to deliver constantly changing information that is accurate and looks great."

TriCaster Studio - New Lower Price $7995


TriCaster TCXD 300 - New Lower Educational Price $11,995

Lightwave 10.1 - Read the press release for details

NAB 2011 TriCaster 850 Extreme

NewTek definitely came to NAB 2011 playing for keeps. Several big new product announcements which are probably going to bring tears to the eyes of their competitors including the new TriCaster 850 Extreme.

A quick overview of the 850 Extreme's features.

All the features of the TCXD850 plus almost everything that users have been asking for.

Multi-Tier Failsafe - The software is actually created from a suite of independent modules that monitor themselves so if, for example, you load a clip into a DDR that causes it to glitch the DDR will re-start without effecting any other operations. In the event of a catastrophic failure as long as the unit has power it will pass through audio and video from input 8.

IsoCorder - Record 8 streams of HD video. You can record all eight inputs or record the output in several different formats or record redundant copies of you output to different hard drives. These recording all include embedded time code so it is easy to re-sync the files in post.

Animation Store Transitions - Full color animated transitions. With sound! Animation Store creator is included so you can create your own.

Apple AirPlay Support - Any AirPlay source (Mac, iPod, iPad or iPhone or other iOS 4.3 protocol device) can be used as an audio/video input to the TriCaster.

Advanced Audio Configuration - Seven band EQ, Compressor/Limiter, Grouping and Multi-Bus Routing. You can now apply the audio follows video to groups of inputs. Groups can also be routed to the Aux or streaming outputs.

LTC Timecode Support - Hook up an external TC generator to the TriCaster and any recorded file (that supports it) or output will include the timecode.

Stream Configuration Panel - A new panel with easy, automatic setup for most common CDNs. There is also a built in browser window so you can monitor your stream directly from the TriCaster Extreme.

There's more new stuff in there I'll post more details as I get them but the TriCaster 850 Extreme is an amazing piece of equipment. Once again NewTek re-defines price/performance.


List will be $39,995 NAB special is $37,995. Upgrade your existing TCXD850 for the difference in price.

TriCaster TCXD850 Hands On Review (part 1)

The TriCaster TCXD850 is NewTek's biggest and baddest product ever. The latest addition to the TriCaster line is also the heir to their premier production product - the recently discontinued VT[5]. The '850 shipped in December and the rev 2 software that was released at the end of January brings the switcher up to 24 inputs.That's eight cameras inputs, eight 'Virtual Inputs' (sort of M/E buses), two network inputs (LiveText or iVGA) plus assorted media player modules and frame buffers. The TCXD850's switcher also sports two down stream key channels.

The '850 is housed in a heavy duty 4U rack mount case with a large ventilation grill on the left side of a hinged front cover. Under the cover you'll find a couple of USB ports and four caddy-less removable drive bays. The top bay is populated with a two terrebyte hard drive while the three lower bays are empty but can be filled with standard 7200 RPM SATA hard drives to expand the on-board stoarage.

The front cooling fan is quite noisy but NewTek has a quieter fan available that can be installed by your dealer. I'd recommend this upgrade unless the '850 is going to reside in a machine room. The power supply is a redundant, hot swappable unit. If one of the PS units fails it can be removed and replace while the '850 remains powered up by the other supply.

At 42 pounds the TriCaster isn't exactly light but it's manageable. If your shopping for a portable rack be aware that the unit is about nineteen inches deep so you might need a custom built case. There are no cooling vents on the top or sides to worry about.

Encrusted with I/O

The eight camera inputs will accept standard def composite, S-Video, component or SDI signals or high def  component or SDI. You can mix and match any of the input types.

The TCXD850 has two main outputs with the same assortment of connections. The output format (HD/SD) is set when you initially configure your session  A third 'aux' output can be configured as either a third copy of the main out, optionally at a different resolution or as a dedicated output from the program, preview, utility buses or directly from any one of the switcher sources. The '850 also has a dedicated HDMI output so it's easy to connect a HD monitor or projector.

NewTek went all in with the audio. The back of the unit has sixteen xlr connectors that can be used with either line level sources or microphones. If using condenser mics you can even switch on phantom power. There are also eight AES/EBU digital audio inputs and you can also use embedded SDI audio. These inputs are grouped into stereo pairs for the XLRs while the digital inputs support four channels each.

You get two outputs again both XLR and digital plus an aux output that can be configured as a dedicated output from the DDRs etc. The audio is rounded out by an actual 1/4 inch headphone jack.

The '850 has two DVI monitor ports. One for the main user interface and the second for a 'multiview' monitor. The multiview can be configured as a deducted program/preview output or in a number of different setups with source previews, waveform monitors and output windows. One of the biggest new feature is the ability to monitor all switcher sources on screen. The multiview lets you spread those previews across two monitors.

There are four USB ports on the back and two more on the front. These are used for mouse, keyboard and other external controllers such as the TimeWarp, LC-11 or 850CS.

Main Switcher
The main switcher has a program and preview row that both have twenty-four input sources. The program row selects the source that will appear on the output while the preview row lets you select the source you are going to to go to next. You then can use either the T-bar or the Auto/Take buttons to switch the inputs.

Rev 2 of the software introduces a new video layer paradigm to the switcher.  These layers are from back to front:

• Background - Your main source selected via the program bus of the switcher along with any transitions as you switch between sources.
• DSK1 - The first down stream keyer, you can key any of the sources available with the exception of virtual inputs. This can be positioned, resized and rotated.
• DSK2 - The second DSK with the same features as DSK 1.
• FTB - Fade to black. This lets you to fade to black without making any changes to the other three layers.

The main T-bar's function is assigned by the four buttons just above it. You can use the T-bar to control any of the video layers. If you select more then one function you can actually do things like cross fade the DSKs and do a transition on the BKGD layer with one pull of the T-bar.

To the right of the T-Bar are controls for the video layers (Fade to black has no additional controls). Here you can select between fades and various transition  for a layer and in the case of the DSKs - position, size and rotate the layer. The Fade and Take buttons let you fade or take an individual layer regardless of how the T-Bar delegate is set.

The third row on the switcher is the utility row. This row is used to select the sources that appears on the two DSKs, the Aux output and the FX bus. There are delegate buttons that change the utility row's mode making it easy to manage these sources even during a live switch. Here too you can multi-select and assign the utility row to multiple functions.

Part 2 in a day or two

March Madness

TriCaster STUDIO™. Get it NOW. Save $1000.

You want to deliver a show that's impactful and has the look of a large, network-style studio. But, you don't want the big expense. We have the solution. TriCaster STUDIO™ - the portable live production workhorse, is like having a giant, live TV truck that fits in your backpack. And throughout the month of March, NewTek is offering you a thousand more reasons to choose TriCaster STUDIO for your portable live production, by reducing the price by $1000.

TriCaster STUDIO is so easy to use that one person or a small team can:

• Broadcast, live stream, project and record - simultaneously
• Connect and switch up to six cameras - quickly
• Access live production tools, virtual monitors, on-board DDRs, titling, editing, and more - easily
• Deliver your show with the impact of a network-style studio, with the use of live virtual sets

From news and entertainment webcasts, sporting, school and corporate events - TriCaster STUDIO is easy, compact and now, more affordable than ever.

Get TriCaster STUDIO to meet your production needs now.

TCXD850 CS

New Controller for the TCXD850

TriCaster™ TCXD850 CS is a hardware control surface mapped directly to the TriCaster TCXD850 Live Desktop, source for source, and function for function. Giving you a true, hands-on connection to the award-winning TriCaster system. The TriCaster TCXD850 CS is a powerful addition that fits seamlessly into your live production setup, and can be used for fixed or portable installation to meet your most demanding HD live production needs.

TriCaster and Final Cut Pro

Many people are having trouble using the MPEG files recorded in the TriCaster with Final Cut Pro. Dr. Andrew Cross of NewTek engineering posted the following on the NewTek forum Friday:

The following outlines why this happens and what you can do about it :
In order to play MPEG-2 files on FinalCutPro, or with the Mac in general you need to have the "QuickTime MPEG-2 Playback Component for Mac OS X" installed on your system. This component ships with FinalCutPro as standard and so from a clean install you should be able to work with NewTek MPEG-2 files. Unfortunately, if you download a QuickTime update from the web, it will replace your entire QuickTime install and so the MPEG-2 playback component is no longer available and files will not play. The solution that Apple recommend for this problem is to use your account on the Apple store to download the plugin for the new version of QuickTime and install it manually.

There are three limitations of the "QuickTime MPEG-2 Playback Component for Mac OS X" that one should be aware of:

1. Unfortunately QuickTime does not support high profile MPEG-2 files; as such you will need to use the "normal profile" files as the recording format inside the TriCaster. For all normal use there will be almost no perceptible difference between normal and high profile MPEG-2 files. Both far exceed the quality of competing formats (e.g. DV).
2. Embedded audio. It is a limitation of FinalCutPro support that it cannot read the audio embedded within an MPEG-2 file. For this reason, TriCaster writes out an MP3 file that you can lock to the video file for editing purposes.
3. Unfortunately FinalCutPro does not tag MPEG-2 files as "an optimized file format" and so for areas of your time-line where there are transitions of effects you might need to render before you can get perfect playback.

For more information about MPEG-2 support in QuickTime, please visit
http://www.apple.com/quicktime/exten...omponents.html

In another post a user posted a small AppleScript that re-wraps the Xd300 HQ MPEGS for use directly in FCP. It is available here. He's considering it beta so if you find it useful keep an eye out for updates.

NewTek Customer Appreciation...

...to the tune of $10,000!

NewTek is offering a $10k trade in for your old VT[5] towards a new TriCaster TCXD850. Unfortunately there is now an expiration date November 19.

VT[4] owners get $7500 while VT[3], VT[2] and VTNT owners get $5000

Log on to your NewTek registration profile to download the voucher then call us at 1-800-692-6442 to place your order. We have a special agreement in place with NewTek so that you don't have to turn in your VT card until your TCXD850 arrives so you won't be shut down while you wait.

TriCaster Studio Price Cut

As of Monday NewTek was no longer accepting orders for the TriCaster Pro - surprise! The good news is that the TriCaster Studio's list price will be reduced to $8995 as of September 6th. The educational price will be reduced to an amazing $4995.

If you purchased a Pro or Studio after August 1st contact us about special offers from NewTek.

Pre-release TCXD850 used for ESPN X-Games production

The X-Games 16 Los Angeles production team used several TriCaster TCXD850s to produce extensive coverage of events for display on large screens throughout the venue. Their reviews are positive.

“With each update to the TriCaster, we see features and benefits that we suggested,” she says. “It is great to give feedback and then see that taken seriously in the product-development process. In some ways, the XD850 feels like a custom X Games model, since it has almost everything our engineers and operators have asked for.”

Read the whole story over at SVG

TriCaster TCXD850 Update

NewTek missed the scheduled release date of July 15th but looks like we are on the verge of customer units shipping. Early production units are currently shipping as demo units to dealers (Digital Arts should have one very soon) and shipments to end users should commence in a matter of weeks.

The TCXD850 will ship with lots of new features beyond what was demoed at NAB take a look at this for more detail see the Feature Update PDF. But some highlights:

• Frame Buffers for virtual inputs and overlay channels. Now each of these sources can have their own still store/titler. This effectively adds ten still/titling modules to the existing sources independent of the media players.
• The 'video output formerly known as Video Output 3' has been renamed AUX, can now be freely assigned to Program Out, Program without overlays, preview row, effects row any fra,e buffer or any camera input.
• Optional Aux output recording
• Alpha Channel Input support
• Livematte 3.0 with independent crop
• Native 1080P support
• More

TriCasterTCXD300 Hands On Review

The TriCaster TCXD300 works in a similar fashion to the previous five incarnations of the TriCaster but NewTek has taken all the user input and tweaked the user interface quite a bit. There is an entirely new paradigm for the virtual set that is a vast improvement to the way they were sort of tacked onto the standard def units.

The TriCaster TCXD300 has a thirteen input switcher with three video inputs, a DDR to play media clips, a network input to use with iVGA or LiveText, a CG input, a still store, a black channel and five 'virtual' inputs. More about these later. The video inputs will accept composite, S-Video or component analog and SDI digital video. You can mix and match SD and HD sources. The TriCaster has matching outputs and can simultaneously output SD and HD.

The switcher includes hundreds of transitions. The assortment is varied but more tasteful then previous NewTek products. A touch of whimsy is still evident though as a sheep transition is included.

The top of the user interface screen is dominated by the video preview windows. The default config is a large program output window on the right with eight smaller previews for the three cameras, network input, still store, CG, DDR and a preview bus.

There are three tabs so that you can re-configure the previews so you get large Program, Preview and Waveform Monitor/Vectorscope windows or large Program Preview and Effects bus windows. This preview section on the main interface can also be re-sized or removed allowing more room for the tabbed panels in the lower part of the screen.

You are free to remove the previews because the DVI output on the back of the TCXD300 can be configured as a preview output. You have a choice of a number of different layouts including all sources, full screen preview, preview and WFM/Vectorscope etc.

One of the biggest improvements to the interface is the addition of little 'gear' icons sprinkled about. When these are clicked configuration panels pop up so it's easy to quickly access a particular feature's settings without the interface being cluttered with rarely used controls.

The other big interface change is the way the LiveSets (NewTek's virtual set system) is configured and used. Previously the LiveSets were sort of integrated into the chroma keyer but in the TCXD300 the switcher has now sprouted five new virtual inputs. These virtual inputs are configured using tabbed panels just below the switcher. On this panel you'll find what amounts to a mix/effects bus.

Here you can select two sources that will be used by the virtual input with individual positioning and scaling controls so you could, for example, create a picture in picture effect by resizing and positioning one of sources. Or you can load one of the included virtual sets and insert your talent into a virtual environment. Some of these environments include on-set 'TVs' which are fed from the second input source.

NewTek has made improvements to Live Sets so they can now be zoomed in real time so you can do a nice smooth zoom between the presets. The presets can also be easily modified just by dragging little sliders this all makes the LiveSets much more flexible. Over a dozen sets are included plus several split screen effects and a PiP preset. The new sets are really slick looking and include multiple camera angles, double boxes, over the shoulders, stand-ups and closeups.

In addition to the two input sources each virtual input has an overlay channel. In a big change from previous NewTek products you can use any of the switcher sources as an overlay and again, the overlay is both positionable and scalable. Another new feature is the ability to use any of the transitions to bring the overlay on and off.

On top of the upstream overlays in the virtual inputs NewTek has also included in the TCXD300 two downstream keyers. Any of the switcher sources can be re-sized, positioned and brought on and off with any of the transitions. A cool feature lets you selectively lock the two independent overlays together so that they can be simultaneously activated or by locking them when one is active and the second isn't - toggle between them. Multiple downstream keyers has been a requested feature since forever and it's great to finally get it.

One of the weaknesses of the standard def TriCasters was the audio section. The TCXD300 has two balanced (XLR/TSR combo jacks) inputs with switchable phantom power, and two four channel balanced line level inputs_1/4" TSR jacks) and three, four-channel AES/EBU digital inputs (BNC jacks) and it also accepts embedded SDI audio. You can't use all the various line and digital inputs simultaneously but you can mix and match them to a certain extent.

The mic pres have enough gain to make my Shure SM-2 headset microphones work like champs, unlike the preamps on my TC Studio. Input and output levels are a good match for a Mackie mixer. Like the Mackies the levels sort of split the difference between the -10dBu consumer and +4dBV pro standards. As an audio engineer I'd prefer they were switchable between the two standards but this is a workable compromise.

The TCXD300 sports both analog and AES/EBU audio outputs, both four channel. And a 1/4" headphone jack with enough oomph to actually drive real headphones is right there on the front. A great new audio feature is the assignable aux out. You can now choose between the DDR,the Still store (which can double as and audio player - go figure), both or the main mix to be output on dedicated connectors. You'd mainly do this to feed audio generated by the TriCaster to a house mixer which on previous TriCasters required soloing the DDR and feeding the headphone output to the external mixer.

The audio mixer interface has nice big meters and level 'sliders' for each of the inputs plus independent output level controls for the stream and aux outputs and a volume control for the headphones.

This review could probably go on for a couple more pages but I need to cut it short so I'll skip details on audio follows video, improvements to iVGA, one click preset loading in the DDR, audio, titles and still panels and SpeedEDIT2 and probably a dozen other things.

The TriCaster TCXD300 is one heck of a machine, it's a lot more then just an "HD TriCaster". I've been running it  for several months and it's been rock solid. It seems to be well built and the user interface is well thought out. The only real limitation is the number of video inputs. But if you can make do with three cameras you'll be able to use the TCXD300 to produce video of the highest caliber. If not NewTek is going to be shipping the TCXD850 with eight video inputs in July.

Updated with pictures

More TCXD850 details

• 22-channel switcher with eight digital or analog inputs, two DDRs, two network inputs, titles, stills and eight virtual/mix channels
• Advanced overlay capabilities include rotation, positioning and scaling in 3D plus animated effects
• New live virtual sets in HD include double box effects with options for stand-up and one or two presenters
• Photorealistic LiveMatte™ virtual sets system with advanced matte generation and spill suppression for every switcher input
• Two network inputs deliver graphics from LiveText™, presentations from a PC or Mac® using iVGA™ or other computer sources to the switcher or overlay channels
• Simultaneous monitoring of all switcher inputs at full field-rate and signal integrity verification with color Waveform/Vectorscopes
• Using any combination of either embedded digital, AES or the16 balanced analog XLR audio inputs to bring in microphones, stereo or quad line level sources
• Audio mixing capabilities with audio follows video support and auxiliary routing to integrate into an external audio setup
• HDMI and VGA program outputs for projector (IMAG) or other monitoring applications
• 36 hours of 1080i recording capacity that can be extended by using the three removable drive bays
• Three video output rows provide flexible simultaneous HD and SD video output
• Durable rack mount 4U case with redundant power supply 

1) LIVE PRODUCTION provides control of an entire multi-channel HD production. Connect up to eight HD or standard definition (SD) cameras, digital or analog audio, and go live with simultaneous output to video, projector and the Web.
2) LIVE VIRTUAL SETS in HD give you the flexibility of expansive, professional sets even though your location may have limited space. With live, multi-camera smooth zooming, show your talent in a network-style studio without the need for a camera operator or expensive motion control system. Sets include double box effects with options for stand-up and one or two presenters.
3) ON-SCREEN MONITORS let you select shots with confidence. Displays include cameras, clips and iVGA™ networked computer inputs, along with the ability to send all monitors to a second display, and enlarge your workspace.
4) PREVIEW AND PROGRAM MONITORS let you display titles or a transition on-screen, while showing what source is up next. Innovative color Waveform Monitors and Vectorscopes ensure perfect signal quality for your live production.
5) ADVANCED VIDEO SWITCHER gives you unprecedented control over all inputs. Select a live output on Preview, and use either the on-screen T-bar or the optional LC-11 hardware to transition easily from one source to another. Versatile production tools such as Virtual Inputs and dual downstream keys provide the ability to easily create dynamic overlays and graphics.
6) VIDEO TRANSITIONS add interest and impact to your live production. Use any of the 200-plus HD broadcast-quality effects to transition from one source to another and fly titles and inserts on and off screen.
7) LIVE TITLES give you a broadcast look with graphics, titles and animated overlays on top of your live video. Lock a title or bug to a camera or virtual input and set the in and out motion for each.
8) ONE-BUTTON INTERNET STREAMING allows you to use Adobe® Flash® or Windows Media® to deliver a live stream directly to the Web, in 720p HD and other streaming profiles with simultaneous archive for later viewing. ONE BUTTON RECORDING captures your live production as a full HD resolution video file.
9) AUDIO MIXING gives you complete control over microphones, line inputs and clip playback levels. You can also adjust input trim levels for the best possible audio. In addition, the system provides both AES and embedded digital audio for pristine sound.
10) DIGITIAL MEDIA PLAYERS include two DDRs for video playback, titles, stills, music and sound, making it easy to add video clips and imagery to your production, as well as auto-insert clips captured during a live event for immediate playback. HD and SD resolutions are supplied in a variety of popular file formats.
11) VIRTUAL INPUTS provide eight customized inputs to configure virtual sets, layer live elements, assign titles, set upstream picture-in-picture elements and much more. These settings can be used as templates for easy creation of other mix effects, and are instantly available in the preset bin along the left.

New Camera Bundles

Update: More Stuff added!

Digital Arts in conjunction with NewTek is now offering four new TriCaster/Camera bundles

LIVE Production Bundle 1
1 Tricaster
1 copy SpeedEDIT
3 Canon Vixia HF s100 Camcorders
3 Canon 2.7" LCD Viewfinder Hoods
3 Canon Hot Shoe Mikes
3 BP-827 Battery Packs
3 Petrol PMDCB Camera bags
1 Custom Petrol TriCaster Bag

LIVE Production Bundle 2

1 TriCaster Pro
1 Copy SpeedEDIT
1 LiveSet Pack 1
1 Graphics Pack Volume 1
3 Canon XHA1 Comcorders
3 BP-970G Batteries
3 0373 VitecTripods
3 Pertol PWB-HDV Camera Bags
1 Custom Petrol TriCaster Bag


Live Production Bundle 3
1 TriCaster STUDIO
1 Live Control LC-11 and 1 TimeWarp
1 Copy LiveText
1 Copy SpeedEDIT
1 LiveSet Pack 1 and 1 Graphics Pack Volume 1
3 Canon XA A1 Camcorders
3 BP 970G Batteries
3 Vitec 0373 Tripods
3 Petrol PWB-HDV Camera Bag and 1  Custom TriCaster Bag

 

Live Production Bundle 4
1 TriCaster BROADCAST
1 Live Control LC-11 and 1 TimeWarp
1 Copy LiveText
1 Copy SpeedEDIT
1 LiveSet Pack 1 and 1 Graphics Pack Volume 1
3 Canon XH G1S Camcorders
3 BP 970G Batteries
3 FSB8TV2 Tripods (75mm Bowl Pozi Loc Tripods & FSB 8 Fluid head)
3 Petrol PWB-HDV Camera Bags and 1 TriCaster Bag

Petrol TriCaster Bag:

Call Us for pricing 1-800-692-6442

New Tally Light System For TriCaster

Digital Arts is pleased to announce our new Tally Light controller and Tally Lights for the NewTek TriCaster and VT[5] families of video switchers.

The Tally Light Controller TLC-6 adds a sophisticated tally system to your TriCaster or VT. Compatible with all TriCaster models with 2.0 or higher software and VT[3] and above. The TLC - 6 in conjunction with the TL-1 tally lights adds status and 'talent' tally lights to any camera.

Each of the six output channels gives you four LED outputs - Program (Live), Preview and Effects bus indicators. Plus an output for a separately controlled tally for the on camera 'talent'. The Talent tally can be software selected to illuminate when the camera is on the program bus, the preview bus, the effects bus or any combination.

In addition to the LED outputs each channel also includes two contact closure outputs that can be connected to most camera CCUs for program and preview tally.

If you're not using CCUs (which usually provide intercom connections) you can configure the TLC-6 to pass through intercom signals over the tally cable. The TLC-6 has an XLR connector to connect directly into your intercom system.

The controller also has two GPI outputs. The first provides a contact closure every time the source on the program (Live) bus is changed the second does the same for the Effects bus. You can use these outputs to trigger any GPI compatible outboard equipment.

VT users who have more than six cameras can connect up to four TLC-6 controllers for a total of 24 outputs.

The TLC-6 uses inexpensive RJ-45 (Ethernet type) cables to make it easy to build custom length cables using off the shelf parts and requiring no soldering skills.


The Tally Light One in conjunction with the TLC–6 provides three status LEDs for the camera operator that indicate whether the camera is active on the Program. Preview or Effects bus as well as a bright tally indicator for the on-camera talent.

The Tally Light One includes Velcro mounts or use the optional accessory shoe mount.

The Tally Light One is also compatible* with the tally outputs on the front of the TriCaster^TM Studio and Broadcast and our original Tally Light Controllers TLC-1, TLC-2 and TLC-3.

*Only the Tally Light One's Program and Talent LEDs illuminate.

More info